Related Paintings of unknow artist :. | The Departure | Recreation by our Gallery | Cafe in Gurzuf | Seated Harp Player | Arab or Arabic people and life. Orientalism oil paintings 65 |
Related Artists:
Sebastiano Bombelli
Italian, 1635-1719, Italian painter. He was perhaps the most influential Italian portrait painter of the later 17th century. His early style was formed by his father, Valentino Bombelli, a painter in Udine, and his godfather, the Mannerist artist Girolamo Lugaro. In the early 1660s he was in Venice (Boschini; Sansovino), where he responded passionately to the brilliant colour, painterly freedom and naturalism of 16th-century Venetian artists, particularly Veronese
CAPORALI, Bartolomeo
Italian painter, Umbrian school (b. ca. 1420, Perugia, d. 1505, Perugia)
Max Buri
1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.